10 coolest commercials by movie directors
Aug. 22nd, 2008 09:29 am![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png){kind=small}
syndyfrellaПо мнению Sniznit.co.uk
10. SONY "THE THIRD PLACE" (2001)
DIRECTOR: DAVID LYNCH
What's the ad? Commissioned by Sony to create a series of short promos for their upcoming super-console PlayStation 2, Lynch delved deep into his box of oddities for this baffling minute of mind-wrongs. The PS2 would truly bring gaming to the masses; with the much-vaunted 'Emotion Engine' and DVD playback, it promised to be a box of tricks unlike any other. So what did Lynch go for? Typically twisted fare, with a man trapped in a shadowy labyrinth who stumbles on a disembodied arm, a mummy and a talking duck. “Mummy, mummy – buy me a PS2!” said kids across the world.
Director's trademarks? Bonkers imagery, queasy music and a nonsensical plot? It's fair to say that this is typical Lynchian fare.
Did it work? The PS2 went on to become the biggest selling console of all time, shifting over 140 million units. We're not sure Lynch deserves all the credit, mind.
9. GUINNESS "SURFER" (1998)
DIRECTOR: JONATHAN GLAZER
What's the ad? Guinness are a company who know how to get people drunk – they're behind some of the most memorable booze ads in history. As part of their 'Good Things Come To Those Who Wait' campaign, this memorable advert sees a group of surfers hanging back and waiting for the perfect wave – patience which is essential to enjoy a good pint of the black stuff, Guinness claim. It's a bit of a cheat, this one, as director Jonathan Glazer has only really made one decent film. However, because it was the awesome Sexy Beast, and because this ad rocks, it makes it on the list by merit.
(от себя: одна из лучших реклам ever, с моей точки зрения)
Director's trademarks? Sharp visuals matched with pounding music. Grey, miserable, British.
Did it work? The featured tune, Leftfield's 'Phat Planet', saw the Brixton-based electro-punk outfit score a number one album. Irishmen continued to get drunk. Everybody wins.
8. AMEX "MY LIFE, MY CARD"(2006)
DIRECTOR: WES ANDERSON
What's the ad? In 2004, American Express launched their new campaign: 'My Life, My Card'. The gist? Big-name stars wax lyrical on their favourite piece of plastic. Most of them were obnoxious fluff – celebs and sports stars pouting and exclaiming their love of American Express to support their lavish lifestyles. But famed indie whizkid Wes Anderson at least had a little fun with his TV spot. Painting himself as a put-upon director, Anderson calls the shots on a frantic looking film set, complete with crane shots and explosions.
Director's trademarks? Whimsy. Quirkiness. Jason Schwartzman. Throw in a Wilson brother and an obscure indie track and you've got your next Wes Anderson movie.
Did it work? Maybe. Anderson got labelled a sellout by his hardcore fans, but at least the ad retains his sense of humour.
7. ADIDAS "MECHANICAL LEGS" (2002)
DIRECTOR: DAVID FINCHER
What's the ad? Fight Club director David Fincher started in ads and never really left them behind. His past projects include commercials for Levis, Nike and – most famously – the American Cancer Society: his short ad of a foetus smoking a cigarette managed to somehow be cool and gross at the same time. With Adidas, the brief was much simpler: just make our shoes look good. Fincher duly delivered with a playful ad that made basketball look fun, even to fatties like me and you.
Director's trademarks? Yeah – it turns out the mechanical legs are actually both the same person. Or something.
Did it work? The ad won a 2003 CLIO gold award for visual effects. Last time we checked, Adidas weren't too strapped for cash either.
6. APPLE "1984" (1984)
DIRECTOR: RIDLEY SCOTT
What's the ad? Apple roped in director Ridley Scott and requested his expertise to help launch their new product: the Apple Macintosh. Heavily influenced by the work of George Orwell (obviously), Scott positioned the Mac as a computer that would shatter the image of the home computer – quite literally when a female athlete lobs a hammer through the face of Big Brother (read: Bill Gates). The ad was shown only once, during the third quarter of the Super Bowl. That was enough.
Director's trademarks? Scott was coming fresh from his success with Blade Runner; the dystopian futures of that sci-fi classic and this ad are not too dissimilar.
Did it work? In a word, yes. The ad was a huge hit and helped Apple eat up a huge market share. Apple went on to make more money than God, while the ad was voted Commercial Of The Decade. Given Apple's current stock value, it's probably the most successful ad ever made.
5. NIKE "THE SECRET TOURNAMENT" (2002)
DIRECTOR: TERRY GILLIAM
What's the ad? Though most Americans probably wouldn't know a soccer ball if it hit them in the nuts, us Europeans are mightily fond of football. Nike are infamous for forking out the big bucks and roping in their big-name stars to appear in lavish World Cup TV advertisements – quite why they hired famed cinematic nutjob Terry Gilliam to shoot it is another matter. The ad in question is a cracker – a mini tourney aboard a disused tanker – and is anchored by possibly the Greatest Footballer Who Ever Lived: temperamental Gallic genius Eric Cantona.
(отсебятина №2: из всех футбольных - лучшая!)
Director's trademarks? Nope. Try as we might, we can't remember any football tournaments in Brazil or Time Bandits. We haven't seen Tideland yet, though.
Did it work? The ad's Brazilian contingent (Ronaldo, Ronaldinho, Denilson and Roberto Carlos) went on to win the 2002 World Cup. A remix of the accompanying song – Elvis Presley's 'A Little Less Conversation' – went to #1 in over 20 countries. Nike kept on pumping out those over-priced trainers and us suckers continued buying them.
4. MERCEDES BENZ "LUCKY STAR" (2002)
DIRECTOR: MICHAEL MANN
What's the ad? A real curio, this. Directed by Michael Mann, 'Lucky Star' is 150 seconds of fakery. Not unusual for a commercial, but this one purports to be something entirely different. Shot as a trailer, it stars Benicio Del Toro as a fellow for whom luck comes naturally. He quickly attracts the interest of the US government, which gives him ample opportunity to outrun them in his sexy new Mercedes SL500. Sounds like a good film? Shame, because it doesn't exist. You got Merc-ed!
Director's trademarks? Oh yeah. Beautiful, lingering shots of LA in HD. Car chases. Cocky asshole anti-heroes. You name it, it's here.
Did it work? Not especially. Critics claim it was little more than a response to a similar campaign by BMW (see #2) and felt cheated by the fact that it hoodwinked audiences waiting for the full-length feature. Interestingly, Mann retained the rights to make a proper Lucky Star feature – six years on and we're still waiting.
3. SMIRNOFF "SMARIENBERG" (1998)
DIRECTOR: MICHEL GONDRY
What's the ad? Bonkers Frenchman Michel Gondry is prone to flights of fancy – if he hadn't moved into the movie biz, it's very probable he'd still be crafting short, sharp and sweet bursts of advertainment like the commercial below. The brief: make Smirnoff Vodka appear exciting and dynamic – pretty difficult when most of its drinkers are generally foul-smelling lushes. But Gondry made it beautiful, stripping an action movie down to basics then turning it on its head over and over.
Director's trademarks? Cute, low-budget charm. A skewed perspective on the simple things. Imagination in abundance. This has Gondry's fingerprints all over it.
Did it work? Smirnoff loved the ad and reported a surge in sales. A year later, the Wachowski brothers ripped off Gondry's 'bullet-time' effect. A decade later, Gondry at least still has his credibility intact.
2. BMW "BEAT THE DEVIL" (2002)
DIRECTOR: TONY SCOTT
What's the ad? Back in 2001, a genius pen-chewing BMW marketing exec stumbled on a belter of an idea – fling bundles of money at high-class filmmakers in exchange for short films based on their automobiles. Directors of the series "The Hire" ranged from the classy (Ang Lee, Wong Kar-Wai) to the not-so classy (Guy Ritchie) but by far the most entertaining episode was Tony Scott's ten-minute tease, which saw Clive Owen's "Driver" race Gary Oldman's devil for the prize of James Brown's eternal soul. Hell, just watch it, it's awesome.
(этот клип должен был стоять на первом месте!!!)
Director's trademarks? Flashy camera work, ADD directorial techniques, bleached palettes, avid farts and car chases. Instantly recognisable as the work of Ridley's little brother.
Did it work? When the videos were released online, they were viewed 11 million times in four months. BMW's sales went up by 12% and when your products are as expensive as theirs, that's a fat lot of profit.
1. GAP "PARDON OUR DUST' (2005)
DIRECTOR: SPIKE JONZE
What's the ad? Jonze already had an reputation for being something of a Hollywood maverick when Gap approached him to create a short ad for their new look. There's no excuse, then, for them turning their noses up when Jonze produced the following self-deprecating ad, showing customers and employees gleefully tearing a Gap store apart brick by brick. Gap ran the commercial in a handful of cities before yanking it off the air completely after just a month. Then the internet got hold of it and declared it a work of genius. Hey, Gap? Your clothes suck and so does your business acumen.
(ну, эээээ....)
Director's trademarks? Anarchy with a touch of hepcat cool, with a smidgen of Jackass-style buffoonery in the mix as well.
Did it work? It could have, given the chance – Gap's sales were in the shitter when they made the call. Jonze did benefit from the ad, however – in 2006 he was nominated by the Director's Guild of America for Outstanding Achievement in Commercials. Good for him!
AND THE WORST...
CHANEL, 'NO. 5: THE FILM' (2004)
DIRECTOR: BAZ LUHRMANN
What's the ad? Nothing less than the most expensive commercial ever commissioned. This poncy, three minute abomination from Moulin Rouge director Luhrmann sees him again thrusting his camera in Nicole Kidman's direction, the Aussie actress playing a 'playful' actress sick of the spotlight. Opposite her is Rodrigo Santora aka Take A Shit guy from Lost as a simpering fop who doesn't have a TV. Not just awful, £18m worth of awful. Like the fragrance, it stinks.
(ну, эээээээ.... им явно не понравится фильм "Австралия")
Director's trademarks? Flouncing. Australians. Bad acting. Things that shimmer and glimmer and sparkle.
Did it work? Who cares? £18 million could have been spent on countless worthier causes. Instead, some rich bitches get to smell a bit nicer and Nicole Kidman is gifted £2m to make her ego even bigger. Nice going, Luhrmann. Jerk.
10. SONY "THE THIRD PLACE" (2001)
DIRECTOR: DAVID LYNCH
What's the ad? Commissioned by Sony to create a series of short promos for their upcoming super-console PlayStation 2, Lynch delved deep into his box of oddities for this baffling minute of mind-wrongs. The PS2 would truly bring gaming to the masses; with the much-vaunted 'Emotion Engine' and DVD playback, it promised to be a box of tricks unlike any other. So what did Lynch go for? Typically twisted fare, with a man trapped in a shadowy labyrinth who stumbles on a disembodied arm, a mummy and a talking duck. “Mummy, mummy – buy me a PS2!” said kids across the world.
Director's trademarks? Bonkers imagery, queasy music and a nonsensical plot? It's fair to say that this is typical Lynchian fare.
Did it work? The PS2 went on to become the biggest selling console of all time, shifting over 140 million units. We're not sure Lynch deserves all the credit, mind.
9. GUINNESS "SURFER" (1998)
DIRECTOR: JONATHAN GLAZER
What's the ad? Guinness are a company who know how to get people drunk – they're behind some of the most memorable booze ads in history. As part of their 'Good Things Come To Those Who Wait' campaign, this memorable advert sees a group of surfers hanging back and waiting for the perfect wave – patience which is essential to enjoy a good pint of the black stuff, Guinness claim. It's a bit of a cheat, this one, as director Jonathan Glazer has only really made one decent film. However, because it was the awesome Sexy Beast, and because this ad rocks, it makes it on the list by merit.
(от себя: одна из лучших реклам ever, с моей точки зрения)
Director's trademarks? Sharp visuals matched with pounding music. Grey, miserable, British.
Did it work? The featured tune, Leftfield's 'Phat Planet', saw the Brixton-based electro-punk outfit score a number one album. Irishmen continued to get drunk. Everybody wins.
8. AMEX "MY LIFE, MY CARD"(2006)
DIRECTOR: WES ANDERSON
What's the ad? In 2004, American Express launched their new campaign: 'My Life, My Card'. The gist? Big-name stars wax lyrical on their favourite piece of plastic. Most of them were obnoxious fluff – celebs and sports stars pouting and exclaiming their love of American Express to support their lavish lifestyles. But famed indie whizkid Wes Anderson at least had a little fun with his TV spot. Painting himself as a put-upon director, Anderson calls the shots on a frantic looking film set, complete with crane shots and explosions.
Director's trademarks? Whimsy. Quirkiness. Jason Schwartzman. Throw in a Wilson brother and an obscure indie track and you've got your next Wes Anderson movie.
Did it work? Maybe. Anderson got labelled a sellout by his hardcore fans, but at least the ad retains his sense of humour.
7. ADIDAS "MECHANICAL LEGS" (2002)
DIRECTOR: DAVID FINCHER
What's the ad? Fight Club director David Fincher started in ads and never really left them behind. His past projects include commercials for Levis, Nike and – most famously – the American Cancer Society: his short ad of a foetus smoking a cigarette managed to somehow be cool and gross at the same time. With Adidas, the brief was much simpler: just make our shoes look good. Fincher duly delivered with a playful ad that made basketball look fun, even to fatties like me and you.
Director's trademarks? Yeah – it turns out the mechanical legs are actually both the same person. Or something.
Did it work? The ad won a 2003 CLIO gold award for visual effects. Last time we checked, Adidas weren't too strapped for cash either.
6. APPLE "1984" (1984)
DIRECTOR: RIDLEY SCOTT
What's the ad? Apple roped in director Ridley Scott and requested his expertise to help launch their new product: the Apple Macintosh. Heavily influenced by the work of George Orwell (obviously), Scott positioned the Mac as a computer that would shatter the image of the home computer – quite literally when a female athlete lobs a hammer through the face of Big Brother (read: Bill Gates). The ad was shown only once, during the third quarter of the Super Bowl. That was enough.
Director's trademarks? Scott was coming fresh from his success with Blade Runner; the dystopian futures of that sci-fi classic and this ad are not too dissimilar.
Did it work? In a word, yes. The ad was a huge hit and helped Apple eat up a huge market share. Apple went on to make more money than God, while the ad was voted Commercial Of The Decade. Given Apple's current stock value, it's probably the most successful ad ever made.
5. NIKE "THE SECRET TOURNAMENT" (2002)
DIRECTOR: TERRY GILLIAM
What's the ad? Though most Americans probably wouldn't know a soccer ball if it hit them in the nuts, us Europeans are mightily fond of football. Nike are infamous for forking out the big bucks and roping in their big-name stars to appear in lavish World Cup TV advertisements – quite why they hired famed cinematic nutjob Terry Gilliam to shoot it is another matter. The ad in question is a cracker – a mini tourney aboard a disused tanker – and is anchored by possibly the Greatest Footballer Who Ever Lived: temperamental Gallic genius Eric Cantona.
(отсебятина №2: из всех футбольных - лучшая!)
Director's trademarks? Nope. Try as we might, we can't remember any football tournaments in Brazil or Time Bandits. We haven't seen Tideland yet, though.
Did it work? The ad's Brazilian contingent (Ronaldo, Ronaldinho, Denilson and Roberto Carlos) went on to win the 2002 World Cup. A remix of the accompanying song – Elvis Presley's 'A Little Less Conversation' – went to #1 in over 20 countries. Nike kept on pumping out those over-priced trainers and us suckers continued buying them.
4. MERCEDES BENZ "LUCKY STAR" (2002)
DIRECTOR: MICHAEL MANN
What's the ad? A real curio, this. Directed by Michael Mann, 'Lucky Star' is 150 seconds of fakery. Not unusual for a commercial, but this one purports to be something entirely different. Shot as a trailer, it stars Benicio Del Toro as a fellow for whom luck comes naturally. He quickly attracts the interest of the US government, which gives him ample opportunity to outrun them in his sexy new Mercedes SL500. Sounds like a good film? Shame, because it doesn't exist. You got Merc-ed!
Director's trademarks? Oh yeah. Beautiful, lingering shots of LA in HD. Car chases. Cocky asshole anti-heroes. You name it, it's here.
Did it work? Not especially. Critics claim it was little more than a response to a similar campaign by BMW (see #2) and felt cheated by the fact that it hoodwinked audiences waiting for the full-length feature. Interestingly, Mann retained the rights to make a proper Lucky Star feature – six years on and we're still waiting.
3. SMIRNOFF "SMARIENBERG" (1998)
DIRECTOR: MICHEL GONDRY
What's the ad? Bonkers Frenchman Michel Gondry is prone to flights of fancy – if he hadn't moved into the movie biz, it's very probable he'd still be crafting short, sharp and sweet bursts of advertainment like the commercial below. The brief: make Smirnoff Vodka appear exciting and dynamic – pretty difficult when most of its drinkers are generally foul-smelling lushes. But Gondry made it beautiful, stripping an action movie down to basics then turning it on its head over and over.
Director's trademarks? Cute, low-budget charm. A skewed perspective on the simple things. Imagination in abundance. This has Gondry's fingerprints all over it.
Did it work? Smirnoff loved the ad and reported a surge in sales. A year later, the Wachowski brothers ripped off Gondry's 'bullet-time' effect. A decade later, Gondry at least still has his credibility intact.
2. BMW "BEAT THE DEVIL" (2002)
DIRECTOR: TONY SCOTT
What's the ad? Back in 2001, a genius pen-chewing BMW marketing exec stumbled on a belter of an idea – fling bundles of money at high-class filmmakers in exchange for short films based on their automobiles. Directors of the series "The Hire" ranged from the classy (Ang Lee, Wong Kar-Wai) to the not-so classy (Guy Ritchie) but by far the most entertaining episode was Tony Scott's ten-minute tease, which saw Clive Owen's "Driver" race Gary Oldman's devil for the prize of James Brown's eternal soul. Hell, just watch it, it's awesome.
(этот клип должен был стоять на первом месте!!!)
Director's trademarks? Flashy camera work, ADD directorial techniques, bleached palettes, avid farts and car chases. Instantly recognisable as the work of Ridley's little brother.
Did it work? When the videos were released online, they were viewed 11 million times in four months. BMW's sales went up by 12% and when your products are as expensive as theirs, that's a fat lot of profit.
1. GAP "PARDON OUR DUST' (2005)
DIRECTOR: SPIKE JONZE
What's the ad? Jonze already had an reputation for being something of a Hollywood maverick when Gap approached him to create a short ad for their new look. There's no excuse, then, for them turning their noses up when Jonze produced the following self-deprecating ad, showing customers and employees gleefully tearing a Gap store apart brick by brick. Gap ran the commercial in a handful of cities before yanking it off the air completely after just a month. Then the internet got hold of it and declared it a work of genius. Hey, Gap? Your clothes suck and so does your business acumen.
(ну, эээээ....)
Director's trademarks? Anarchy with a touch of hepcat cool, with a smidgen of Jackass-style buffoonery in the mix as well.
Did it work? It could have, given the chance – Gap's sales were in the shitter when they made the call. Jonze did benefit from the ad, however – in 2006 he was nominated by the Director's Guild of America for Outstanding Achievement in Commercials. Good for him!
AND THE WORST...
CHANEL, 'NO. 5: THE FILM' (2004)
DIRECTOR: BAZ LUHRMANN
What's the ad? Nothing less than the most expensive commercial ever commissioned. This poncy, three minute abomination from Moulin Rouge director Luhrmann sees him again thrusting his camera in Nicole Kidman's direction, the Aussie actress playing a 'playful' actress sick of the spotlight. Opposite her is Rodrigo Santora aka Take A Shit guy from Lost as a simpering fop who doesn't have a TV. Not just awful, £18m worth of awful. Like the fragrance, it stinks.
(ну, эээээээ.... им явно не понравится фильм "Австралия")
Director's trademarks? Flouncing. Australians. Bad acting. Things that shimmer and glimmer and sparkle.
Did it work? Who cares? £18 million could have been spent on countless worthier causes. Instead, some rich bitches get to smell a bit nicer and Nicole Kidman is gifted £2m to make her ego even bigger. Nice going, Luhrmann. Jerk.
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Date: 2008-08-22 06:28 pm (UTC)